You can't hurry posts, no you just have to wait, words don't come easy, when it's new content you seek to create.
Looking over a lot of my writing from the past couple of years, I've realized I should probably spend more time editing and less time creating new content. The problem arises when I look back at something written, and regardless of my feelings towards its quality, the content is largely foreign to me. It's as if I black-out in fits of inspiration and compose thousands of words. Except that at lot of it, on rereading, is rather less than inspired.
Having forgotten not only a title for the entry but also what I had intended to write about, I might as well talk Contagion. I decided to check it out in spite of an uninspired preview and the usual curse of too many stars in one place. It was a perfectly fine movie I suppose, but nothing too special. Here come a few spoilers of sorts. The best part might have been this ad installation done in Toronto to promote the film.
But right, the movie. I'm going to tell you how it ends. It starts on Day 2, so you don't know how the virus really began its spread and it concludes, surprise, on Day 1. And you know, I could have done without that. Lord knows I don't know how to end the bulk of my own stories, nor are the interim details necessarily well-crafted, but I can tell you what would have made the ending of this movie better. Here are three alternate endings, only one of them remotely PG-13.
So first, the legitimate alternate ending:
There is a doctor that discovers the cure for the virus. She injects herself to test it. In the conclusion, the camera should be on her coughing, and then it should fade out, like a classic X-Files
episode. Then they'd even be all set if they wanted to milk it for a Contagion 2.
The incest conlusion:
Matt Damon's daughter is locked away in their fortress of solitude in Minneapolis. This makes me want a house one day to raise a family, but that's not related to this ending. Said daughter has a boyfriend and they act out prom in the picturesque living room. But instead, Matt should take matters into his own hands. Just in case his daughter might die from the virus, he wouldn't want her to die a virgin...
The Punny Conclusion (with hints of stereotype):
This one I really like, because it contains a pun, and I really like puns. On day 1, some bat eats a piece of fruit, which only happens because the evil big corporation Gwyneth Paltrow works for knocked down some trees in Hong Kong. The bat spits this into a pigpen, a pig eats it, this pig is brought to a restaurant/casino where Gwyneth is hanging out on her business trip. Chef is cutting up the pig and wipes his hands on his filthy apron then shakes hands with Gwyneth. Further Rube Goldberging takes place. I feel like the take-away here is supposed to be that big corporations are evil and helped set in place the creation of this virus, which is consistent with the CDC being hand-in-glove with pharmaceutical companies and so on that goes on during the film. But this is just about an alternate ending, not analysis!
So yeah, instead, in a decidedly not PG moment, the chef employs the dead pig as a sexual device to please Gwyneth. Later one of his friends at the casino asks, "What happen to pretty white lady?" Chef replies, "Awww, I porked her." Annnnnnd scene.
The takeway? Watch 12 Monkeys instead and/or again.
Also, because it's Friday. Happy just-over-halfway-done-with September everybody.